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Home » DaBaby Threatens Painter Over Portrait of His Daughters: “That’s the Route to Go If You Wanna Get Hurt”
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DaBaby Threatens Painter Over Portrait of His Daughters: “That’s the Route to Go If You Wanna Get Hurt”

OliverBy OliverApril 6, 2026No Comments2 Mins Read
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DaBaby is drawing a hard line between fan appreciation and family privacy after rejecting a painting of his two daughters outside a nightclub—then facing backlash for it.
The Charlotte rapper, currently promoting his album BE MORE GRATEFUL, found himself in a heated exchange when a painter took to Instagram to question why his gift was refused. Rather than apologize, DaBaby responded with a blistering comment that left no room for interpretation.
“You still got my daughters on yo page as a grown man after I made it clear I ain’t comfortable with that,” he wrote. “Steady playing for this online attention. So when God put me back in front of you ima show you how serious I am about my daughters.”
The warning escalated quickly: “Using My kids ain’t the route to go if you wanna go viral, that’s the route to go if you wanna get hurt. This a father talking not a rapper.”
In a follow-up video, DaBaby elaborated on his stance. “First and foremost, I’m not the type of father that’s into grown-a** men discussing my daughters, painting pictures of my daughters, taking pictures of my kids,” he stated. “I don’t play like that.”
https://www.instagram.com/theneighborhoodtalk/?utm_source=ig_embed&ig_rid=2f04fca0-7c7b-421a-a95f-07280d3e9a07
He doubled down on rejecting the nightclub delivery, framing it as a matter of principle rather than ingratitude. “Number two, I’m not accepting no painting of my daughters outside of a nightclub. Number three, you feel a way about the principles I stand on with my kids and how far I go to protect them, that ain’t none of my concern.”
The father of five—his youngest born this March—has weathered significant controversy throughout his career. This situation, however, stems from something more universal: the increasingly blurred boundary between public figure and private citizen, where a simple “no” becomes content for social media discourse.
Whether the painter removes the portraits remains unclear. What’s certain is DaBaby’s message—his children’s privacy is non-negotiable, and he’s willing to escalate physically to enforce that boundary.
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Oliver

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